Jim McDermott

Although the play "N/A" "offers just a few brief references to Nancy Pelosi's Catholic faith," writes Jim McDermott, "the character seemed to exude a Catholic sensibility."

While Walz has a number of other appealing — and one might think more important — qualifications, what seems to be most exciting people about him and the Harris/Walz campaign is this notion of the good neighbor. 

"Taking President Joe Biden's faith seriously, I have found myself wondering what resources we in the church might be able to provide him in this very difficult moment," writes Jim McDermott

After Russia invaded Ukraine on Feb. 24, 2022, one of the most immediately and irrevocably impacted locations was a beloved Ukrainian zoo located close to the Russian border. 

Watching people march joyously through downtown Queens, the thing that struck me most was how much the celebration of Pride emerges from an experience that is also at the heart of Christianity.

"Teeth" is an off-Broadway musical challenging Christian purity groups and American society's constructions of women.

What allows some to sustain prejudice, suspicion and uncertainty toward LGBTQ people is the fact that too many of us keep silent. It's easy to demonize people who never get to speak for themselves. 

Confirmation is not itself a test, writes Jim McDermott. It is a liturgy, a moment in which we ask the Holy Spirit to come down and fill the hearts of the confirmands.

The most profoundly meaningful experience of the Eucharist that Jim McDermott has witnessed in the last year occurred on the Hulu TV series 'Fargo.' Perhaps the National Eucharist Revival could learn from it. 

During Advent, we celebrate Mary's willingness to say yes to God — as we should. But as noted by the women of "The Gardens of Anuncia," there’s something else to celebrate: God allowed her the freedom to also say no.

Society's "clowns" force us to surrender what we think we know in favor of a greater joy, writes Jim McDermott. They teach us a sort of mercy toward a world not living up to our expectations.

Recreational horror experiences give us a means of release, one that comes with a level of freedom that can be hard to come by otherwise. Scream at the top of your lungs in your neighborhood or apartment building and someone's going to call the police. But do it at a scary movie and you're among friends. 

Even if the creators of the disco-inspired "Here Lies Love" seem allergic to the Catholicism at the heart of the story of Imelda Marcos and the Philippines, they're unable to fully suppress the traces of that reality.

Jesuit Fr. Jim McDermott interviews Filipino-American illustrator Mike Curato about his controversial middle grade graphic novel Flamer and his experience growing up Catholic.

How do you make the familiar strange again, and yet also accessible? This year Jim McDermott decided to try an experiment for the Triduum, in hopes of seeing the events of the Passion and Resurrection with fresh eyes.

In mid-December, 13 artists concerned about the global climate crisis staged a five-day pop-up art exhibition, "Mayday! EAARTH," curated by Marcia Annenberg at the Ceres Gallery in New York City.

The varied works in the provocative "Earth on the Edge: 12 Artists Declare a Climate Emergency" at the Ceres Gallery in Manhattan seem to invite viewers into a quiet contemplation of environmental loss.

Theater: Broadway's stages have been dark for 18 months, and much of our lives, too. But tonight, here to see "Chicago," I sink gratefully back into the experience of being with other people and not being afraid.

Just as watching "Friends" when it aired kept alive my experiences of college, the reunion reminds me of my own experience of reunions, which are always such a muddle of gratitude and sadness.

No matter the specifics, in most films there's something concrete out there the protagonist is after, something they're going to fight for and a journey we're going to take with them. Oscar-nominated film "Nomadland" is very aware of this conceit.